Cantos y Cuentos

Cantos y Cuentos

Evening recital  and poetry at the Theater am Spittelberg, Vienna

The sopra­no Yalilé Car­dona comes from Bogo­ta in Colom­bia and per­formed with var­i­ous ear­ly music ensem­bles, cham­ber music, and renowned orches­tras.

She sang at the famous fes­ti­val “Opera in the Park” and “Musi­ca reli­giosa de Popayán”. A schol­ar­ship enabled her to study at the Roy­al Col­lege of Music in Lon­don where she was award­ed the “Cen­tu­ry Fund Prize” as the best inter­preter of ear­ly music.

In Aus­tria, she is a rec­og­nized music edu­ca­tor and per­forms as a soloist with var­i­ous ensem­bles of ear­ly music.

Poet­ry read by sopra­no Clau­dia Guar­in

At the piano:  Chan­da Van­der­Hart

Pam­pama­pa — Land­karte der Pam­pa, Car­los Guas­tavi­no (1912−2000)

Prestame tu pañueli­to  —  Leih mir dein Taschen­tuch

Memo­ria y Acan­ti­la­do – Gedächt­nis und Steilküste, Ánge­les mas­tret­ta

Triste  —  Trau­rig, Alber­to Ginastera (1916−1983)


Gato  —  Katze

Can­ción de cuna — Wiegen­lied, Jaime León (1921–     )

Arror­ró  —   Wiegen­lied, Alber­to Ginastera

La tun­da para el negri­to — Lied für ein kleines schwarzes Kind, Jaime León

El peso del alma – Das Gewicht der Seele, Ánge­les Mas­tret­ta

Liede des Dichters des 18. Jh, Heitor Vil­la-Lobos (1887−1959)

Mozart no Céu  — Mozart im Him­mel, Osval­do Lac­er­da   (1927–     )

Fabel, Ciro Ale­gría

Palomi­ta  — Das Täubchen, Manuel Ponce (1883−1948)

Cabal­li­to  — Das Pfer­d­chen, Sil­vestre Revueltas (1899−1940)

Briefe an Diego Rivera, Frie­da Kahlo

A tí  — An Dich, Jaime León

Títere  — Ham­pel­mann, Astor Piaz­zol­la (1921−1992)

Sem-Seu, Valde­mar Hen­rique (1905−1995)