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Shchedrin Carmen Suite at the Musikverein

Shchedrin Carmen Suite at the Musikverein

Wiener Symphoniker please crowd with percussion-filled Shchedrin Carmen Suite

The night got off to a very classical, Viennese start when Vladimir Fedoseyev took the stage of the golden hall on Saturday night at the Musikverein. No stranger to this stage himself (the octogenarian was head conductor of the Symphoniker between 1997 and 2004), Fedosejev led the Symphoniker through a program that opened with Johann Christian Bach’s overture to Lucio Silla and Mahler’s Rückert Lieder. Things got considerably more colorful after the interval, with Rodion Shchedrin’s Carmen Suite.
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Rodion Shchedrin

Rodion Shchedrin was born in 1932 in Moscow into a musical family: his father was a composer and a teacher of music theory. He studied at the Moscow Choral School and in 1955 he graduated from the Moscow Conservatory where he studied composition and piano. His first major works were written in his early twenties.

Never a member of the Communist Party, at the collapse of the Soviet regime Shchedrin was able to participate more fully in musical life world-wide. He now divides his time between Munich and Moscow.

A virtuoso pianist, Shchedrin has often performed his own works, which include five concertos for piano and orchestra, sonatas and 24 preludes and fugues for piano. For over a decade he spent lot of his time and energies on heading the Union of Composers of the Russian Federation – having succeeded its founder, Dmitri Shostakovich at the request of Shostakovich.

In his opera “Dead Souls” (after Gogol) and the ballet “Anna Karenina” (after Tolstoy), he introduced classics of Russian literature to musical theatre. All were performed at the Bolshoi Theatre, making Shchedrin the first composer to have had seven works staged there in its 200-year history. Shchedrin`s choral works, set to texts of Russian poets, are widely performed, as are his two symphonies and five concertos for orchestra.

In 1992 President Boris Yeltsin awarded Shchedrin the Russian State Prize for his work “The Sealed Angel”. Shchedrin has succeeded in synthesising traditional and new forms by using every contemporary technique of composition including aleatoric and serial. His attraction to Russian folklore and folk music, Russian poetry and literature, is strongly evident in his oeuvre, making him a pre-eminently Russian composer with a voice that nevertheless speaks to all humankind.

Since 1989 Shchedrin is member of the Berlin Academy of Arts.

Chanda VanderHart – pianist, chamber musician, art song accompanist, vocal coach.

In 2015, Chanda celebrates 15 years living in Vienna, Austria, the music capital of Europe where she has been acquiring a solid musical education, worked with world-class musicians and singers and developed exciting music related projects.

 

There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.

Johann Sebastian Bach

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